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Track Listings
| 1. Two Worlds |
| 2. You'll Be In My Heart |
| 3. Son Of Man |
| 4. Trashin The Camp |
| 5. Strangers Like Me |
| 6. Two Worlds (2) |
| 7. Trashin' The Camp |
| 8. You'll Be In My Heart (2) |
| 9. Two Worlds (3) |
| 10. Wonderous Place |
| 11. Moves Like An Ape |
| 12. One Family |
| 13. Two Worlds (4) |
Product Description
Amazon.co.uk Review
If you've ever cringed in anticipation of the schmaltzy warbling in a Disney picture, then this could be the album to confound your expectations. The idea of Phil Collins is a great start anyway, with his huskily strained vocals bringing a very different sound. On top of that, the marriage of his songs and voice into Mark Mancina's rollicking score is done in a very successful way. Their goal was to integrate Collins as a singing narrator, the trick being to avoid a clash between score ending and song beginning. Pleasingly the album retains much of that seamlessness. You might feel you could do without reprising duets with luscious boy band 'N Sync, but thanks to the jungle rhythms of Speed king Mancina, they do actually feel like a part of the whole. "Two Worlds" is a definite highlight of the collaboration for musicality, but "Trashin' the Camp" has the inventive laughs. And yes, it does finish on the famous Tarzan yodel! --Paul Tonks
From Amazon.com
If anyone belongs in the "Whatever Happened To?" category of a game show, it's Phil Collins. Back in the 1980s, Collins was everywhere, having retinkered Genesis into a smooth, hit-making machine and embarking on a solo career that redefined adult contemporary music. He's still been busy, but nowhere near the spotlight. His latest project has been writing five songs for Disney's animated Tarzan. "You' ll Be in My Heart"--presented here in two versions, one with actress Glenn Close--is exactly the sort of ersatz orchestrated power ballad you expect from this sentimental guy. A duet with 'N Sync in "Trashin' the Camp" (also issued in two versions) is Phil's concession to the kids. Producer Mark Mancina's instrumental score mixes the expectant ambient sounds of the jungle with the slowly unfolding sounds of daybreak and jungle rhythms (provided by Collins on drums) that denote inevitable conflict. --Rob O'Connor
If you've ever cringed in anticipation of the schmaltzy warbling in a Disney picture, then this could be the album to confound your expectations. The idea of Phil Collins is a great start anyway, with his huskily strained vocals bringing a very different sound. On top of that, the marriage of his songs and voice into Mark Mancina's rollicking score is done in a very successful way. Their goal was to integrate Collins as a singing narrator, the trick being to avoid a clash between score ending and song beginning. Pleasingly the album retains much of that seamlessness. You might feel you could do without reprising duets with luscious boy band 'N Sync, but thanks to the jungle rhythms of Speed king Mancina, they do actually feel like a part of the whole. "Two Worlds" is a definite highlight of the collaboration for musicality, but "Trashin' the Camp" has the inventive laughs. And yes, it does finish on the famous Tarzan yodel! --Paul Tonks
From Amazon.com
If anyone belongs in the "Whatever Happened To?" category of a game show, it's Phil Collins. Back in the 1980s, Collins was everywhere, having retinkered Genesis into a smooth, hit-making machine and embarking on a solo career that redefined adult contemporary music. He's still been busy, but nowhere near the spotlight. His latest project has been writing five songs for Disney's animated Tarzan. "You' ll Be in My Heart"--presented here in two versions, one with actress Glenn Close--is exactly the sort of ersatz orchestrated power ballad you expect from this sentimental guy. A duet with 'N Sync in "Trashin' the Camp" (also issued in two versions) is Phil's concession to the kids. Producer Mark Mancina's instrumental score mixes the expectant ambient sounds of the jungle with the slowly unfolding sounds of daybreak and jungle rhythms (provided by Collins on drums) that denote inevitable conflict. --Rob O'Connor
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